K Mart Security

“Lululemon stands by decision to fire employees who intervened in robbery”

“. . . Cellphone footage from the store shows two men wearing hoodies and face masks rush into the store and grab armloads of merchandise from areas closest to the entrance of the store and then rush out. One female employee is seen near the entrance of the store close to where the men are heard yelling ‘get out’ repeatedly.”

-CNN, 2023

*****

James pulled up in an 87′ Dodge Aries K Sedan. It was a blocky 4-door with some of the paint fading from the roof as if the highway speeds were stripping away the original bland blue. James said he was heading to Greenton, a nearby town about 10 miles away that had the “super” stores. These gigantic buildings, Walmarts, K-Marts, Staples were the first structures that appeared on the horizon as you entered Greenton coming from Ashmore.

The people of both of these small farming towns grumbled about the big stores over weak cups of coffee at dirty-spoon diners:

“Suzie’s Sporting Goods had to shut down when K-Mart set up the store in Greenton.”

“Yep.” another man agreed. “The entire downtown is a graveyard. They are shuttering half the stores in town. Gerry’s gonna lose his family’s TV store. I am glad his father isn’t around to see it.”

Aaron didn’t care much for Susie or Gerry, but he, too, felt these giant companies were the enemy of the good. Faceless and cold like the empty space in the excessively tall buildings. The exposed metal rafters and corrugated ceiling way up above the heads of the shoppers always struck him as industrial, like walking into a warehouse rather than a store.

Residents of Ashmore complained, but they all shopped at the Greenton megastores. Couldn’t afford not to.

Aaron was painting his father’s house when James pulled up in the aging Chrysler. James turned off the engine and yelled to Aaron through the rolled-down driver’s side window.

“How about Greenton today?”

James was tall and lanky with a bowl-cut of black hair and a rebellious attitude that bordered on a personality disorder. That is why Aaron liked him. Aaron appreciated a healthy disrespect for authority, especially the kind of ignorant authority teenage kids had to wade through in small Iowa towns. It was as thick and oppressive as the early August humidity.

James’s parents were gone for the week and left him with the car to get into town from their country house. Aaron’s parents were divorced, and his dad worked long hours. Aaron could rely on him being gone for about 18 hours a day.

“Yes and yes!” Aaron dropped the paintbrush unceremoniously, energized by the prospect of ditching chores for an adventure. “We need some shit for the fort out at MCA’s place. Something to cut the ground cover at the main campsite. Nettles are too thick for the shears. They have stuff like that there, right?”

“They got everything at the Super.”

“Fuck yeah, they do. They got donuts, man. An entire wall of donuts. I got one last time I was there. Grabbed it from that wall with the little plastic doors. I just ate it while I walked around the store. No one noticed, dude. Some old woman looked at me weird, but no employees were paying attention. By the time I was walking out the door, I had eaten one Boston Cream and two regular creams. Those fucks can’t keep track of us. This is gonna be sweet.”

“Good for us.”

Aaron jumped into the passenger seat, leaving his father’s garage wall half-painted and the can of brown paint open on the ground. He didn’t know when he would see his father next, so it didn’t seem to matter that summer afternoon. He searched a book of compact discs. “The Judge?”

“Sure.” James was a quiet kid. Quiet and angry. The kind of angry that wouldn’t lift a finger to put out a fire if it burned the high school gym or courthouse.

It was a 10-minute drive between Ashmore and Greenton, an uninspired stretch of flat state highway. The passing scenery alternated between rows of tall, late-summer corn and shorter soybean fields. Aaron talked about what they needed for the campsite, prattling on about the fort in the woods they would build. James listened while driving.

Suddenly, Aaron stopped his talk of woodland forts and turned up the car radio. A singer in a strained voice screamed,

“The evidence before the court is

incontrovertible

There is no need for the jury to retire . . .”

Aaron began singing at the top of his lungs with a smile on his face that looked more crazed than happy. The windows were down and wind beat into the car at sixty-five miles an hour.

“In all my years of judging

I have never heard before

Of someone more deserving

Of the full penalty of law.”

James’ head was tilted forward as if leaning into the forward movement of the Chrysler, quiet but intent. On the horizon, a towering K-Mart sign was coming into view.

*****

Something was wrong. Aaron was looking over some CDs in the Super K-Mart music aisle when he got a creepy sense in his spine. Maybe this trip was a mistake.

It was the third. Both James and Aaron had lifted merchandise from the store, exited to the parking lot where James had parked, unloaded the goods into the backseat, and re-entered the K-Mart two times already. The second time, James had slid two machetes up his sleeves and had to walk out the main entrance like some stiff-armed weirdo. No one seemed to notice. A third trip would be no different, they agreed.

But it was different. Aaron was looking down at the music as a ruse. His mind was actually crawling over his fellow shoppers, searching for strange behavior that might indicate security was aware of them. Aaron had half a dozen silk boxers tucked into his Umbro soccer shorts with two Led Zepplin discs threatening to fall to the tiled floor. James was nowhere to be seen. They separated to avoid attracting attention from the security cameras that hung like black orbs from the ceiling. It was time to go. Aaron hoped James was out at the car waiting.

The nearest exit was the garden section. The exit opened into a glass greenhouse that then opened into the parking lot. He glanced furtively behind him. He was about forty feet from the parking lot and freedom. No one seemed to be eyeing him, so he turned to look at some shelves filled with spades and gloves, standing next to a man who looked to be in his late 20s with dark brown, curly mullet and glasses that reminded him of David Koresh or Jeffery Dahmer.

“Hey, man,” Aaron asked in a mildly annoyed but dim-witted way, “do you know where the house paint is? Is it in Gardening?” The man glanced at Aaron and said no dismissively before moving on.

Aaron was relieved. The hostile indifference meant the man was not tailing him. He was just getting jittery. The rumor was that those cameras were just for show. If you felt like you were being watched, you would behave. No need to hire a bunch of hicks to stare at screens all day. Let the illusion keep the thieves in check.

He was only twenty-five feet from the garden center exit into the parking lot. Aaron wanted to see if James was around and did his best to appear like an annoyed customer looking for his family. James was still out of sight. “Maybe he is back at the car,” he said allowed to anyone listening, and turned to the exit. Then he heard it from directly behind him.

“HOLD IT RIGHT THERE! K-MART SECURITY.”

The exit was eight feet away and, as soon as the first word hit him from behind, Aaron dashed into the parking lot. He felt a hand swipe down his back as if the Superstore guard had reached for his t-shirt collar and missed. As soon as his legs shot him out of the store, the CDs fell to the pavement like rocket boosters falling away from a spaceship during liftoff.

He could hear the mullet-man curse and pick up speed behind him, but Aaron had hit his full stride weaving between parked cars baking in the Iowa summer sun. James’s car was on the other side of the building. Besides, if he ran to the car they would just take the license plate and cops would track them down later. He had to disappear into the wild. He glanced back to see two men. Mullet man and a heavy-set older man trying to keep up.

He glimpsed James, too, who was about half a football field away, unloading whatnot into his car. No one was pursuing him, so Aaron tried not to look at him too much and raise suspicions they were together, but James turned and began running too.

Aaron was easily outpacing the men chasing him , but he was also running without a destination. He slowed to a jog so James could catch up with him, and started to scan the horizon for a place to hide. James caught up and didn’t say a word. James wore flip-flops, slowing his pace.

Straight ahead, the parking lot ended in a ditch that dipped then rose to the highway, and sparse but high-speed cars whipped by. On the other side of the five-lane highway was Blas-Knox, a dying factory with a largely empty parking lot. If he could get behind the building, he could break the line of vision the two men had on them and change direction, even sprinting for the cornfields beyond the factory.

He looked back to see the two men gaining on him a bit. They yelled, “Stay there, you little sonofabitch!”

Aaron had heard this tone before. Every bully in high school. Every tough guy starts a fight because someone looked at their girlfriend too long. He could hear the violence. Adrenaline hit his bloodstream and he smiled just before running full speed. A semi-truck horn blared at him before speeding by. A grassy patch separated the lanes of traffic and dipped again into a road drainage ditch. Aaron’s legs faltered a bit as he sped down and up into the next phalanx of cars heading from Ashmore into Greenton. More horns and some people yelling out their windows at him, but he made it to the other side, sliding into the ditch that fronted the Blas-Knox building. Laying low, he peeked back to see the two men chasing him. Mullet man was pointing through the traffic in his general direction as the older man caught up to him and bent over in labored breathing. James laid low beside him.

“Well, what now?”

“Let’s lose them behind the Blas-Knox building then b-line it for the old country road. Hide in the corn.”

Aaron stood up and booked to the rear of the factory building. James and Aaron both discarded the contraband. Aaron threw the silk boxers under a parked car. One CD hadn’t fallen out, and he pulled it from his waistband and tossed it on the roof of the factory.

They continued to run toward the old country road, listening to curses and threats coming from behind them. Security had gained on them a bit, and James, a heavy smoker, was audibly wheezing and now struggling to keep up. His sandals were nearly slipping off his feet.

“I can’t keep going.”

“Why the fuck are you wearing those. Fuck fuck fuck!”

“Why are you getting caught, dick?”

“Ok. Let me think.” Aaron pointed to a range of uncut prairie grass. It was three feet tall and thick. The factory owners no longer tended the property. “Let’s take cover in the field. They won’t be able to see us, so stay down.”

Aaron felt supercharged and could have run the ten miles back to Ashmore, but he did not want to abandon James. The two separated a distance and crouched into the swaying, yellow grass. In minutes, the security detail made it behind the factory and began yelling threats into the field.

“We know you are out here, you little fuckers.”

The older man joined in. “We are going to get the dogs. They will take care of you!”

Aaron lay still as a field mouse. He wanted to shift his weight but feared calling attention to his position by making the grasses shift.

“You are in for an ass- an ass-whooping. Ass whoopin.” The older man was still catching his breath.

There were three now. One looked like a customer who just wanted to join the search to get his knuckles into some lawless punks. He seemed to be friends with Mullet man.

“I’ll just pull the Ford around. We can go mudding back here and find the bodies afterward.” His tone was almost jovial.

“Aha! C’mere you little shit. Now you done it!”

Aaron raised his head slightly to see one of the men jerk James up from the grass and wrestle his arms behind him as if planning to cuff him. Aaron sunk back down as another man approached his position – the older man. Aaron closed his eyes and prayed for invisibility. He imagined himself so motionless that he became the prairie grass. When he opened them, the old man, four steps away was looking directly into his eyes. Then he wasn’t. The man’s gaze just drifted over him as he continued the search, pushing the weeds aside.

The two others had James and called to the old man who rejoined them. Mullet man yelled out to Aaron. We will find you. Be back with the truck and the cops. You don’t know what an ass-whooping is, boy!”

Aaron waited 10 minutes for them to clear out and then ran full speed past the old country road and into the six-foot-tall corn. He found a wide row between the corn stalks and slowed his run to a long-distance pace.

Thick corn leaves interlaced at head-level before him, cutting his face as he jogged. He held his forearms up to push aside the foliage as he pushed forward. Small red lines appeared on his arms. They itched like made. He fantasized briefly about having those machetes then glanced out between two corn stalks to see a county deputy car drive by, suspiciously slow.  Retreating back into the rows of corn, he could smell the corn and pesticides, and his eyes began to swell. His nose drained snot like a faucet. There was no way he could run back to Ashmore.

Media Studies Journals for Prof Davis Courses

The following journals will contain peer-reviewed articles appropriate for Media Studies papers.

Cal log-in required for access. I advise using the “library tunnel” Global Connect VPN as well.

Critical studies in media communication : CSMC

Media, culture & society (Online)

Journal of media economics (Online)

Media law & policy (Online)

Television & new media.

New media & society.

Media industries (Austin, Tex.)

Journal of broadcasting & electronic media.

Journal of mass media ethics : MME.

Media history.

Media psychology.

Journal of media ethics (Online)

The journal of media law.

Global media journal.

Journal of broadcasting & electronic media (Online)

Global media journal (Canadian edition). English.

Social media + society.

New media & society (Online)

Journal of communication (Online)

Journalism & communication monographs.

Mass communication & society.

Journalism & mass communication quarterly.

San Francisco, a Policy Sodom in the Conservative Mind

San Francisco’s iconic progressive image in the American mind has made the city a prime target for critical conservative commentary. In conservative media, California and the Bay often function as a symbol of liberal or Democratic policies. For example, a Fox News investigation (2019) of the unhoused in the city illustrates the San Francisco-as-dystopia symbolism in right-leaning mediaspheres. The investigation’s partisan lens is explicit: “to chronicle the toll progressive policies have had on the homeless crisis.”

The Fox journalist details the problem of those forced into the streets by inflated housing costs and inadequate social programs. How the story is framed makes all the difference. The investigation underlines the problem with anecdotes from the perspective of frustrated business owners and visitors appalled or frightened by street encounters with the poor, drug-addled and mentally ill. To Fox’s credit, the wealth gap exacerbating the issue becomes clear in interviews with Bay Area residents. All fair points about housing policy failures aside, the Fox piece frames the issue in two significant ways:

  1. The unhoused is a problem for visitors and the middle class who wish to use the city without the inconvenience of poverty-battered bodies in the street;
  2. A failure of “Democrats” and the progressive ideology SF has come to symbolize in the American imagination.

The report only lightly touches on inflated housing costs resulting from capitalist housing market dynamics and the wealth gap in the state. Instead, the story focuses the reader’s attention on arguments that a soft-on-crime agenda was central in creating the crisis. The report appears to be a piece on public policy. However, it becomes clear that the emphasis is on “failures of liberal programs” rather than an earnest journalistic exploration of proposed solutions to housing crises.

In public discourse, filtered through the business model of cable news, San Francisco is a means to a partisan end. In stories like this, the city is used as a symbol of progressive policy failures. The city is a character in a narrative that confirms the correctness of conservative politics. Comments on stories like these seem to confirm how the framing pits city progressives vs. non-city conservatives:

Strange how Liberals claim to be “progressive” and Conservatives “backward thinking”, yet their cities resemble something out of the Middle Ages, when the streets of large cities like London were open running sewers of human and animal waste. Now we can sit back and wait for all the old time epidemics like cholera and dysentery to make a return. Everything we have learned about the importance of public sanitation tossed aside by these “progressives”.

@Icomeinpeacenot, https://www.foxnews.com/us/san-francisco-map-shows-human-poop-complaints

The historical context for the emergence of these partisan news frames is important. The origins of conservative media city-bashing are rooted in transformation from a more unified, low-choice world of media of the 20th century to our current high-choice and politically fragmented environment.

Until around the 1980s, American media was a low-choice world. The media system was “low-choice” when TV news, for example, was produced by three or four mainstream networks (ABC, CBS, NBC) with roughly similar ideological perspectives. By the 1990s, Americans found themselves in a “high-choice” media environment.

The low-choice media environment had its flaws but it likewise had the benefit of putting Americans on the same page about the major problems we faced as a nation. Scholars and journalists of the 1970s could identify something like a mainstream public debate. The high-choice media world (after cable then satellite then digital and social media) made more perspectives available, but it also fragmented the public. Over time, the public’s use of media took shape around preferred news sites, guided by confirmation biases, selective attention and information “bubbles.” The diversity of available perspectives was supposed to be more democratic and empower citizens with access to information, but the high-choice media environment paradoxically allowed us to insulate ourselves from opposing views and the people who expressed them.

These gradual changes to the media system enabled new business models to specialize in partisan content. The introduction of Fox News in 1994 is a popular illustration of this late 20th century business model, but digital platforms also followed suit with the right-leaning Drudge Report (1995) and the liberal Daily Kos (2002). Today, Breitbart news, One American News and a number of other media start-ups are targeting these partisan audiences and competing for audience market share, often by expressing ever more partisan frames on American politics. Facebook’s leaked internal research has confirmed this trend. The leak shows how digital media companies profit when “core parts of its platform appear hardwired for spreading misinformation and divisive content.” For these companies, the civic decay stemming from this ideological war is a gold mine.

The way technology and business models have exacerbated partisanship in American politics challenges classic tenets of journalism. It has also disrupts the traditional function of news. Where 20th century journalists could think of news as a sort of schoolhouse, offering information to foster educated voting and self-governance, the 21st century has cultivated new functions of news in public life. The schoolhouse metaphor has given way to another functional metaphor: the church. Americans increasingly use news as a way to endorse a common ideological faith. Conservatives look to Tucker Carlson to confirm the evils of Nancy Pelosi and commiserate about the dangers of “creeping socialism.” MSNBC viewers tune in to see if Trump will be indicted for his role in the Capitol riots following Biden’s election. In many ways, our choice of news is a choice of a dramatically illustrated world view. The faithful, after all, don’t go to church to learn something new about what happened to Jesus. They go to participate in a community of shared values and fellowship.

Partisan news and the reorganization of the public into news communities of faith helps explain the fragmentation of the public and the use of San Francisco as a symbol for conservative news audiences. Liberals can wonder why the farmers of Kansas vote against their own economic interests. In each case, the cultural chasm widens as news media marshal cities and places as symbols of difference and antagonism rather than one people working as a larger collective.

Russia’s RT as metanews

The year 2008 was important to understand RT’s evolving purpose in world affairs. After relative obscurity following its 2005 launch, RT began countering American and NATO news regarding Russian intervention in South Ossetia, Georgia. RT offered a counternarrative: Russian intervention was defensive and humanitarian, and Russia as a benevolent actor in world affairs. Most importantly, RT framed itself as an underdog in a battle for truth in the murky world of global politics and war.

A profile of RT in The New Statesmen in 2013 noted how “Russian journalists fought back” by aggressively portraying Russia’s humanitarian intentions and citing examples of American news stifling or suppressing Russian perspectives:  

Some western channels, particularly Fox News, were hardly less biased in covering the war. RT repeatedly aired a Fox interview in which two South Ossetians from California tried to thank the Russian government but were cut off by the anchor. Fox’s many detractors could watch the take-downs on YouTube, which started carrying RT in 2007. Simonyan’s channel began to win a whole new audience.

This period in RT’s development illustrates how a war over framing international conflict led RT its unique style of international journalism: flashy, daring, brash, anti-establishment, populist, etc. But RT also made the battle over news narratives a part of their coverage. The channel’s turn to media criticism appealed to the growing suspicions of media bias and offered RT’s coverage as a way to escape corporate media.  

Was the Georgian war a turning point for the coverage and tone of RT? Perhaps. By challenging the coverage of Western news media giants, RT tapped into the growing suspicion of American news media. There was a market for those suspicious of mainstream journalism. Much like Rupert Murdoch and Roger Ailes filled a market for conservative opinion with Fox News a decade earlier, RT saw an audience they could develop by portraying the channel as the uncorrupted truth-teller in a world of insider politics and patriotic stooges . . . all while thumbing their nose at authorities. Russia has continued to play media critic, self-righteously dressing down UK regulators for violating RT’s right to broadcast after complaints.

By portraying itself as the “anti-Fox,” RT made the meta-turn to commentary on news as an extension of the critique of America and American leadership. By the 2010s, RT had embraced the anti-establishment tone reminiscent of a sarcastic teenager rebelling against the overbearing father. The host of RT’s The Resident roams the streets of New York, interviewing passers by about their suspicions of media. “Special reports” have a cynical edge as the reporter reviews the considerable number of U.S. military and intelligence officials on MSNBC’s payroll for news commentary.

For a bulk of the 20th century, professional broadcast journalism organized public opinion guided by “professional” standards of newsworthiness and neutral reporting (Hallin 1994; Schudson 2001). Professional, neutral reporting was well suited to the needs of journalism of the network and early cable era. U.S. networks wanted to speak to mass audiences and maximize advertising revenues. As a business model, it was best not to offend any region of the country. Informative, factual news about matters of broad interest was a safe bet for these networks. Walter Cronkite intended to speak to and for a nation.

Though producers have moved online, the demand for neutral reporting remains, somewhat like a vestigial tail. The cultural expectation of neutrality and objectivity that underlie common public criticism of newsrooms works well for RT. The expectation has outlasted the conditions that made it possible during the “gatekeeper” era of professional news. I’m reminded of Max Boot’s concern over conspiracy theory in the digital age:

“The online world is a post-truth space where there are no undisputed facts, only competing narratives, and even the most deranged claims (e.g., QAnon) can aggregate an audience.”

This is when RT’s motto makes the most sense as effective branding: Question More. The network doubles down on this outsider credibility in both branding and self-referential reporting. When regulators or critics accuse the channel of bias in coverage, RT’s apologists can reasonably retort that all media are biased. That all news is framed in narrative. But this sidesteps the real question . . . Is RT offering criticism of journalistic failures or a merchant of doubt availing itself of the ultimate unmooring of truth in public discourse? How might Russian interests be served by a post-truth American public?

Academic Advice: Requesting a letter of recommendation

Academic Advice: Requesting a letter of recommendation
Image credit: Thought Co. https://www.thoughtco.com/recommendation-letters-definition-and-types-466796

Letters of recommendation can be a crucial part of applications to jobs and graduate schools. A detailed letter from a former instructor is particularly helpful in applying to graduate programs. Requesting letters involves a few steps that let the potential writer know who you are, where you are going and why you deserve a recommendation.

Each potential recommender may have specific needs to write for you, but here is a general guide to requesting letters.

  1. Prepare documents that will support the recommendation (statement of purpose, cover letter, Resume/CV, research interests, career plans, a paper composed for the instructor). These help the potential writer identify your strengths and academic/career direction.
  2. In your initial request, briefly detail the programs to which you are applying and remind the potential writer of relevant experiences in their class (e.g. a piece of work you’ve done for/with them).
  3. Ask potential recommenders if they need additional material to write for you. Some recommendation writers request descriptions of the programs to which you are applying, for example. Offer links to the programs to which you are applying.
  4. In large classes, reach out to your GSI (Graduate Student Instructor) or TA (Teaching Assistant) for the recommendation. Strong recommendations reflect deep familiarity with the student, and the lead professor may not have enough experience with your work to write the kind of letter you will need. A GSI or TA with whom you have a good relationship can offer such details.
  5. Ask about and use the letter-delivery system preferred by the potential recommender and/or admissions committee (Interfolio; direct emails from the institution, etc.).
  6. Many professors advise that you waive the right to see the recommendation. Doing so gives the letter more credibility in the eyes of admissions committees.
  7. Give your writer 6 weeks notice before the recommendation due date.

The first email to your potential recommender should be fairly brief (1-2 paragraphs) and offer enough information for the instructor to recall your work as a student. A link to major papers or projects you did for the course is often useful for both purposes. The reminder of who you are could also be a brief reference to a particularly memorable conversation during office hours or other unique experience with the instructor.

The point of the recommendation letter is to make you stand out from other applicants. Your recommendation request should do the same. Additional guidance from Cal’s career center can be found here.

Good luck with your applications!

The Ritual Model of Communication

James Carey’s most famous work is a criticism of Communication Studies’ over-reliance on a social science view of communication. In sum, Carey argued that social science on mass media tended to rely on a model of communication that was pretty mechanistic.

A classic example from the middle of the 20th century is the Shannon-Weaver model:

For the scientifically-minded, communication was information transmitted between a sender and a receiver. The models this type of communication research produced were clearly inspired by the emerging space-engineering age. “Information source” and “destination” feel more suited for rocket telemetry than for understanding how a comedian’s joke lands. Thus, Carey contrasted the blindspot of these mathematical conceptions of communication as transmission. It was more than that, he argued. The bloodless models of social scientists had lost sight of the human part. It had lost sight of a major part of communication: creating and maintaining communities.

Social sciences of the early and mid-20th century created these models for good reason. Late 19th century mass media theory lacked rigor. What passed for media research in 1880 was little more than moral panics based on limited evidence and much speculation. Thus, the penny newspapers of the 1830s were stirring up the lower classes with sensational crime stories and corrupting readers with sexual intrigue. The loudest media critics of this time were not scientists but religious leaders and politicians. Like biblical prophets, media critics decried the collapse of traditional values as sensationalist newspaper headlines led the people astray.

Mass media research needed reform. The models growing out of quantitative science at the turn of the century would be that reform.

These new researchers, skeptical of those claiming media was fundamentally reshaping society, designed studies to get at that last part about the effects. Did propaganda win wars? Could violence in films make a population more aggressive or criminal? The quantitative research they conducted found surprisingly little evidence that media had a direct, powerful influence over individuals.

Over time, these findings accumulated and became known as the “Limited Effects” school of thought. Social science methods found minimal influence of media so consistently, one researcher proclaimed the field of mass communication research had been exhausted. Everyone could hang up their clipboards and go home.

This is when Carey enters the picture. Many researchers were not satisfied mass media had been fully understood. The relationship between media and society seemed more complicated and the effects more profound than quantitative research could reveal.

Offering the “ritual” approach as an alternative, Carey sought to explore new angles on the role of media in human life. His perspective is rooted in history and asks us to consider the communal aspects of communication. Perhaps media are more than information transmission. Instead of viewing humans as information receptacles, perhaps we can focus on how media brings people together, how it can bind a nation and create communities of shared belief. Viewing media as info transmission seemed to miss all of this.

In order to shift our understanding of media’s relationship to society, Carey focuses on the origin of words. “Communication,” he points out, shares roots with other words like community and communion. Its Latin origins meant both to impart and to share. While most communication and media scholars were focused on how information was imparted or “transmitted,” Carey focused on the idea of sharing. Sharing, after all, is how culture is created. Carey wanted us to examine the idea of shared culture and media’s role in shaping those bonds, as did a generation of cultural theorists who followed him.

Carey was skeptical that social science could effectively study this role of media. The transmission view of social science ignored some of the most important functions of media. Carey was a religious man, and careful readers can sense this in his writing. He sometimes speaks of communication in nearly mystical terms. Communication’s role in forming communities, he suggests, is ritualistic in a fashion . . . not unlike church.

In mainstream Christian churches, the congregation reads a common book (the Bible). Reading the Bible is a way to confirm an ordered worldview and share that with a community of belief. Very few church-goers are there for the information about Jesus. They are there not to learn new facts about the life of Jesus as much as to hear familiar stories and share in a narrative about their lives. They share faith, not information.

Carey argues that the newspaper of his time performed a similar function. In America and other Western nations, reading the news is to “subscribe” to a democratic worldview. When we think about the news, we engage in a collective experience. We subtly endorse shared values. Congregants become worshipers when in church. People become citizens when reading and talking about the news.

Scientific models of communication rescued us from overly speculative beliefs about media’s power to corrupt society wholesale. Carey’s work in the 1980s cautioned against relying too heavily on these models and sought to open up new vistas in the study of media.

A Ritual Model of Digital Media?

I would venture that Carey’s model is even more important today. The digital reconfiguration of media has provided a lot of opportunities to see “ritual” uses of media at play. How, for example, does the growth of opinion journalism reflect the church-like impulses of human communities? What insights about media can we gain by seeing digital communication through the ritual lens rather than mere transmission?

Media organize social identities and new media allow new communities to emerge.

The “communion” function of media goes beyond news. Communities take shape around a variety of cultural identities. K-Pop stans, gardening enthusiasts, comic-book collectors . . . the internet has allowed almost any identity to find a group. Media make these identities possible. That’s what Carey find so mystical about communication. It is the basis for shared culture. It is how “the miracle of social life is pulled off.”

The cultural approach advocated by Carey, British cultural theorists, and others called attention to the role of media in distributing social power. Representation, they argued, was instrumental in structuring multicultural society by portraying cultures, race, and ethnicity. Often, these portrayals positioned some groups as outsiders, threats, and deviants. They are positioned as “others” in contrast to a “mainstream” constructed for the viewing audience.

Scholars in the cultural studies tradition have looked at film and television as sources of knowledge about the world for audiences. Examples of work on media representation are now near as prominent as the social science tradition. Shani Orgad (2015), for example, says the “new visibility” in global media means various identities compete for social power by managing how the group is represented in media. Studies of media portrayals fill journals, populate conference panels, and appear in popular news. The Media Education Foundation alone features dozens of documentaries addressing the representation of Arabs in early cinema, Black Americans in television, and women in advertising. The study of media and identity is tied to culture and, as culture changes and forms of representation multiply, identities will be created, maintained and adjusted in too many ways for cultural studies researchers to keep up.

If Carey is right, media play a significant role in shaping the shared reality we call culture. Shaping that reality, media also influences the unequal distribution of social power along class, gender, and racial lines. Analysis of how symbolic processes construct these identities will be of enduring value if we are to better understand the relationship between media and society.

Amusing Ourselves to Death: the Mueller report, TV hearings and Neil Postman

Amusing Ourselves to Death: the Mueller report, TV hearings and Neil Postman

Image result for Mueller hearing
Former special counsel Robert Mueller reviews the report before the House Judiciary Committee Wednesday, July 24, 2019 in Washington. (AP Photo/Alex Brandon)

“It’s the Superbowl of things on C-SPAN at Eight-thirty in the morning.”

-Stephen Colbert

 

Robert Mueller and media critic Neil Postman have something in common. They are skeptical of television. Truth, for Postman, was fundamentally shaped by the medium of expression. In the old-timey age of print (i.e., Lincoln-Douglas debates), Americans thought in longer, more contemplative ways. How a society debates what is true and right, Postman claimed, is fundamentally shaped by the dominant medium of the time.

Under TV, our access to truth passes through a technicolored prism. Postman was concerned that we would lose the kind of thinking that made democracy work. TV’s flurry of sound bites and images threatened to shallow the American mind. Mueller’s testimony shows the special counsel’s own Postmanesque preference for the printed word as a means to determining truth.

What we call “watching television” is supposedly on the way out. TV viewing has declined by 3 to 4% per year since 2012, according to the Reuters Institute at Oxford. At once, our use of online video has increased dramatically. This begs the question: Have we stopped watching or do we simply access TV in different ways?

Of course, how we watch TV has changed considerably since Postman wrote Amusing Ourselves to Death in the 1980s. TV beams from smaller screens. It’s more individual. We watch it in office jobs, on the train and on demand. But the basic practice of “watching TV” remains unchanged.  We still rely on sound bites, rapid images and visual narratives to understand the world. In many ways, TV just got small enough to come with us when we left the house.

TV in the 1980s shares at least one feature of its more mobile version today. TV always prefers to trade in spectacle. A medium focused on satisfying visual needs of passive audiences relies on spectacle. The problem for Postman and his bookish devotees is that spectacle only gets at certain truths: those that can be abbreviated and visually dramatized. Postman feared that the transition to a televisual society meant making everything “silly.” The loss of print culture, he reasoned, meant losing access to the forms of truth only available through the deliberation of reading and writing.

Which brings us back to Mueller.

The Special Cousel’s testimony revealed more about his faith in reading than the misdeeds of the president. Channeling the grumpy spirit of Postman, the Special Counsel refused to even read aloud from his own report as if the truth of the report could only reside in the printed word. Mueller referred committee members to the written work of the Special Council’s office at least 20 times. He welcomes the public to read the report, but he would not willingly act it out for television audiences.

Mueller’s stonewalling was frustratingly beautiful. He knew he was being displayed to an American audience. Predictably, partisans would try to coax out a visually anchored statement about Trump’s guilt or innocence.

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Mueller testifying before the House hearing on the Special Counsel’s report, July 24, 2019

He was painfully aware that his questioners, particularly Democrats, wanted to move the information in the 400+ page print report to modern American television, from inert and colorless words on a page to more vivid descriptions directly from the investigators face.

 

Clearly the former FBI head is trained to avoid partisan warfare and would not “perform” the report for a 24-Hour news channel industry. But, Mueller’s preference for the written version of his report ran counter to the hope members of the House had for his appearance.

These attempts to spread the Mueller Report from print-based audience to television-based audience indicate how much influence the political class believes TV to possess. The plan seemed to be to televise the report targeted a non-reading public with the hope that reproducing the same information in a visual format would reanimate public discourse and foster public discussions that undermine Trump’s support among swing voters.

Camera ready Republicans and Democrats were trying to enlist television’s storytelling power. They wanted something concisely stated before a camera. They want punch.  They want the six-second sound bite. Mueller knows this, and you can hear it in every reluctant stutter of his testimony. The printed word should speak for itself.

Democrats needed to sway non-reading, politically active swing voters that have a reasonable likelihood of either voting Democrat or staying at home on election day. But the strategy also relied on a camera-friendly hearing that animated the sins of the presidency. For better or worse, Mueller’s print bias did not allow politicians to use the abbreviating power of TV.

It remains to be seen if print can still capture the American imagination or if Postman was right and the American public, atrophied by decades of spectacle politics, believes only what it sees.

An Iraqi Refugee’s Path to America

I interviewed Ali to get a sense for the kind of life Iraqis experienced after US armed forces forcibly removed Saddam Hussein from power and installed the Coalition Provisional Government. The big moments of Ali’s early life offer a glimpse into the violence and uncertainty that defined Iraq during this period.

Ali’s story paints a picture behind the headlines on American news and the history of recent US involvement in the Middle East.

The US intervened in Iraq in 2003. The Bush administration had warned Americans that Saddam Hussein possessed and planned to use weapons of mass destruction. The invasion was called Operation Iraqi Freedom. After the invasion, US forces and independent inspectors failed to find WMD, and the rationale for invading Iraq shifted. Hussein, pro-war US officials now reasoned, was a ruthless dictator who endangered his people and deprived Iraqis of basic human rights. But in the wake of Hussein’s death and the end of his Baathist regime, Iraq seemed to spiral into even greater peril. Sectarian violence erupted as suppressed tribal and religious division in the country competed for power.

Many questions still linger in discussions of US adventurism in the Middle East. The war in Afghanistan, by and large, had broad support. Al Qaeda had operated in Afghanistan to launch the attacks of September 11th. But the invasion of Iraq met greater public skepticism. WMDs were unconfirmed. Our goals for Iraq, vague. Controlling the country’s vast oil reserves seemed to be the only plausible rationale, though no American official would admit this.

Did the US intervention help the Iraqi people? What kind of country did the US help to create by removing Saddam Hussein?

Iraq population flight

In 2007, the year Ali and his family escaped Iraq, 26,078 civilians would die. Between 112,017 – 122,438 civilian died from violence by March 2013. Other estimates put the number at 174,000 deaths. Researchers at Johns Hopkins put the total number of war-related deaths at 650,000.[1] Regardless, it is clear that the removal of Saddam Hussein increased sectarianism and, according to Ali, produced a political extremism fanned by a media system no longer under Iraqi government control.

Ali’s memories of nightly bombs and gunfire, the threats to his father’s life for having worked with the Americans, Ali’s time under a false name as a refugee in Syria and Jordan and his eventual move to America in 2008 are stories worthy of a biopic. America ultimately became a place of refuge for Ali and his family, despite occasional slurs, like the time someone asked Ali felt about his Uncle Bin Laden dying. Still, America provided Ali with a safer environment and educational options. But, as an American, I can’t help wondering what role “America” had in forcing the Muksed family to flee in the first place.

At times Ali’s story is harrowing; at others it is a powerful illustration of what it means to be displaced by violence and political conflict. Above all, Ali’s is an immigrant story. And one that ends happily, by and large. Though American foreign policy may have made Ali a refugee, America also gave Ali a place to grow and improve himself through higher education. But the details of Ali’s story also raise questions about the changes in Iraqi life brought about by the $2 Trillion dollar Operation Iraqi Freedom.

Interview link

[1] https://www.npr.org/news/specials/tollofwar/tollofwarmain.html

From Iraq to America, a refugee’s childhood in post-Saddam Iraq

FeaturedFrom Iraq to America, a refugee’s childhood in post-Saddam Iraq

Here is Ian’s audio interview with Ali, an Iraqi refugee attending college in Midwestern America.

Ian spoke with Ali to better understand the experience of those living in Iraq after Saddam Hussein’s removal from power in 2003. The political instability and partisan media that followed had a profound impact on Iraqi society, triggering mass migrations from conflict zones. Ali’s family was one of thousands displaced by the chaos in the wake of US intervention.

Because his father assisted US authorities after the war, Ali’s family fled sectarian violence to Syria and, eventually, the American Midwest. Ali’s early life offers a more intimate view of the conflict than the occupation captured by US news. His childhood, marked by nightly gunfire, lawlessness and migration, highlights the human costs of American wars.

From Iraq to America

Iraq population flight

The algorithms made me do it.

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Photo credit: Martin Anderson @The Stack

Since 2016, mainstream news has fixated on technological explanations of political extremism. Article after article foregrounds technology to explain political change and, specifically, the rise of the American right. However, when we focus on technology as a cause for social change, it becomes easy to lose sight of the social world we wanted to explain in the first place. This is especially true of current debates about rightwing extremist in the US.

As violent and hateful politics in the US become more visible, the internet has also taken root as an instrument of popular communication. Given the seismic change introduced by information technologies, it makes sense to ask what role new media play in the spread of the alt-right or neo-Nazi thought. The editorial board of The New York Times recently took up this tech-as-catalyst narrative, pointing to social  media as an agent of negative social and political change. The board argued that . . .

the fundamental design of social media sometimes exacerbates the problem. It rewards loyalty to one’s own group, providing a dopamine rush of engagement that fuels platforms like Facebook and YouTube, as well as more obscure sites like Gab or Voat. The algorithms that underpin these networks also promote engaging content, in a feedback loop that, link by link, guides new audiences to toxic ideas.

There is certainly some truth that media have a role in creating group identity around ideologies, but blaming the technology for the appeal these ideas shifts attention away from more obvious spurs for social change.

Let’s break down the argument. According to the Times, impersonal agents of the network (algorithms) lead a child-like citizenry (audiences) to ideas that are not good for them or the society in which they exist (toxic). By this reasoning, removing the communication tools that link the radically-minded would undermine the spread of rightist ideologies if not rightist movements themselves. The problem is that this tech focus does not adequately account for the social anxiety that these radical beliefs seem to answer.

An analogy to online advertising helps make this point. Innumerable cookies and web trackers follow us online and collect behavioral data to create predictive consumer profiles. Thus, a woman between 16 and 34 who searches lotions for stretchmarks has a higher probability of buying, for example, prenatal vitamins. The algorithm serves the woman the “Superbaby” vitamin ad. Though she did not intend to buy the vitamins, the targeted marketing works and she puts the item in her cart. Here we see algorithms at work. But did the algorithm prompt the woman to buy the vitamins or did the technology facilitate a preexisting need? Like pregnancy, the social problems that allow extremism to make sense to online audiences similarly preexist the technology that serves it up.

This is why I argue we need to correct the technology bias in addressing the relationship between extremism and online communities. We can do so by inverting the implied causality in arguments that blame new media. Did technology lead to the rise of rightwing extremism or did rightwing extremism seek communication tools to link the like-minded into communities? The NY Times editorial board seems to believe Gab and Voat fell from technology heaven fully formed. In reality, Gab’s creator was all-too-human. Social conditions created the technology to meet a political need that preexisted the technology. If we want solutions to American radicalism, we need to pay more attention to social conditions that make extremism a legitimate option rather than the secondary question of how it gets around the internet.

The focus on tech is not without merit, but the questions social researchers take up should ask why such toxic ideologies have appeal. “The algorithm did it” is insufficient and, in fact, undermines finding clear answers. Furthermore, technological explanations for why people hold political beliefs may function as a sort of optimistic fairy-tale about the inherent goodness of the United States. Taken to a logical conclusion, technology arguments about extremism assert that if not for Facebook, Americans would be more tolerant, less anxious about change and more trusting of government. The focus on technology allows us to believe that Americans are only temporarily “off course.” American neo-Nazism is a mistake that better algorithms and artificial intelligence can correct.

This is a predictable mistake when technology dominates our search for answers to social problems. Excessive focus on a technological explanation suggests that Americans are not fundamentally xenophobic, anti-Semitic or tribal. But this may not be true. In reality, the mélange of conspiracy theories (Soros is a hidden political puppetmaster; an Islamic center is an effort to institute Sharia law in the US, etc.) stems from a sense of social powerlessness and a loss of local American communities. Technology only offers the idea. The social context makes far-fetched or conspiratorial explanations of that powerlessness attractive.

Blaming the algorithm can also function as a sort of ignorant optimism. It can become a story about an American population misled by technology run amok. But this explanation of American radicalism too quickly pushes aside obvious explanations for the growing rejection of the status quo. Middle class incomes have stagnated for decades even as US gross domestic production has grown. American wealth, in general, has become concentrated in the hands of not just the 1% but the top 0.1% of citizens. Healthcare in the US is the most costly in the developed world while for-profit insurance companies avoid taking on sick customers and pay out as little as is legally required. Racial, religious and political tensions undercut the unifying story of American society, what David Brooks called the “American Creed.” Globalization has restructured the national economy, prompting the collapse of entire communities and ways of life, leading to misdirected anger at immigrants and ethnic minorities. The focus on technology can obscure these traditional triggers for extremism and tribalism.

In short, revolutionary dissatisfaction with life in America does not need an algorithm. At best, the technological explanations illustrate how ideologies circulate according to the network logics of the commercial companies that profit from their circulation. At worst, they distract us from actual reasons such ideologies are growing. To understand why these ideas take root in the minds of people, we must focus on the lived experiences of Americans that give such “toxic” ideas traction.